Identity · Art Direction · Audiovisual · São Paulo — Brazil

Marquez Filmes

Marquez Filmes — cover
Intro

Marquez Filmes was born from the authorial gesture of Fabricio Marques — a director of photography and colorist with more than a thousand hours of streaming in Brazil and abroad. Our work was to turn that discipline into a brand: a visual system worthy of a production company that doesn't make videos — it makes films.

Challenges
  1. — 01

    Translating more than a thousand hours of technical experience into a visual language that sounds like cinema — not a portfolio.

  2. — 02

    Balancing authority and approachability: the brand had to impress marketing directors without intimidating smaller clients.

  3. — 03

    Standing out in a market saturated with companies that confuse quality with the number of filters.

  4. — 04

    Sustaining the same language in environments as different as a live broadcast and a team T-shirt.

Solutions
  1. + 01

    The crown as a symbol — royalty built into the 'M', reinforcing the noble origin of the surname without falling into heraldry.

  2. + 02

    A restricted palette: black and white as the base, red and cyan as rare accents — when they appear, they communicate intent.

  3. + 03

    An authorial manifesto guiding every piece: 'The film ends. The impact doesn't.' — a tagline that became a campaign signature.

  4. + 04

    A modular system of applications: bottle, notebook, T-shirt, badge and signage share the same visual grammar.

Brand guidelines

Icon — geometric crown and clear space
Icon — geometric crown and clear space
Main icon backgrounds — black, white, red and cyan
Main icon backgrounds — black, white, red and cyan
Photographic backgrounds — application over imagery
Photographic backgrounds — application over imagery
Logotype — clear space and minimum size
Logotype — clear space and minimum size
Logotype misuse — what the brand refuses
Logotype misuse — what the brand refuses
Primary colors
Primary colors
Secondary colors — red #F3002C and cyan #31DBD2
Secondary colors — red #F3002C and cyan #31DBD2
Primary typography — Poppins for headlines
Primary typography — Poppins for headlines
Secondary typography — Noto Sans Hebrew for text
Secondary typography — Noto Sans Hebrew for text

Applications

Institutional loop — opening of broadcasts
Brand presentation cover
Brand presentation cover
Applications — bottle, Instagram, website, storefront, uniform and badge
Applications — bottle, Instagram, website, storefront, uniform and badge
Institutional campaigns — 'The film ends. The impact doesn't.' and 'We make films that don't end with the credits.'
Institutional campaigns — 'The film ends. The impact doesn't.' and 'We make films that don't end with the credits.'
Full story
Context

Fabricio Marques is a director, producer and colorist trained in lighting direction and photography. Marquez Filmes is the authorial home where he brings together large productions, live broadcasts and institutional content — always with a cinematic standard and a signature of its own.

Problem

The audiovisual segment is saturated with suppliers who promise 'quality' and deliver video. What was missing was a brand that conveyed technical rigor, creative soul and authority — one recognized by marketing directors at institutions that accept nothing less than excellence.

Strategy

We positioned Marquez Filmes as the Creator archetype — innovation, authenticity and memorable experiences. The manifesto sets the tone: 'We don't make videos. We don't press REC. Every project is a film. Every client, a protagonist.' Authority without shouting, luxury without excess, cinema in every frame.

Process

We built the system from the crown — a symbol of royalty built into the 'M' — reinforcing the noble origin of the surname. Rounded lines balance the rigidity, humanizing the brand without losing presence. Every application, from the slate to the bottle, was tested in a real set context.

Branding

Logotype with a geometric crown over a BUNGEE wordmark — cinematic presence in every application. Primary palette in deep black (#000A0F) and pure white; secondary in vibrant red (#F3002C) and modern cyan (#31DBD2), reserved for gestures of energy. Typography: Poppins for headlines, Noto Sans Hebrew for body text.

Audiovisual

Opening film in a single shot: a silhouette against pink and cyan set lights. Institutional loop — the brand projected on broadcasts and live experiences.

Result

A complete visual system in operation — from the brand book to the booth, from the badge to the institutional vehicles. The company gained visual authority matching the technical standard it already delivered.